[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"PortalFooter_QX9Sj6L0jYa0f3sHh8puk8D6pkI69QhELaa1ZMuWxNo":3,"article-es-颜真卿-勤礼碑-临摹要点-从读帖到校帖的实用指南":10,"article-body-v-0-0-0":29,"AppImage_gFn5pqtkBkrVRd6yvKvED8ltwTp9y3Sa93bFRXt0qaA":30,"related-es-article-颜真卿-勤礼碑-临摹要点-从读帖到校帖的实用指南":37,"PortalBreadcrumb_VqYZoPHyOOeyKKhqYjIyfpdqXlrMvfN2cE6ptbhQ4":59,"PostCard_dZU1qucSDkmX1R7JnPwUgilEds37KFfHABubYdqyOl4":66,"PostCard_zDwADF04sxDJAmR3NpgHZvZBEWxy1f7Q6g7GWb70A":73},["Island",4],{"key":5,"result":6},"PortalFooter_QX9Sj6L0jYa0f3sHh8puk8D6pkI69QhELaa1ZMuWxNo",{"head":7},{"link":8,"style":9},[],[],{"id":11,"locale":12,"slug":13,"type":14,"title":15,"summary":16,"content_html":17,"video_url":18,"cover_url":19,"author":20,"category":21,"status":22,"published_at":23,"created_at":24,"updated_at":25,"alternates":26},184,"zh","颜真卿-勤礼碑-临摹要点-从读帖到校帖的实用指南","article","颜真卿《勤礼碑》临摹要点：从读帖到校帖的实用指南","本文围绕颜真卿《勤礼碑》的临摹方法，梳理读碑、用笔、结构、常见误区与检查清单，帮助书法初学者写出颜体厚重而不臃肿的气质。","\u003Cp>临习颜真卿《勤礼碑》，很多人第一眼会被它宽厚、端正的气象吸引，真正动笔后却容易遇到两个问题：一是把笔画写肥，二是把结构写散。其实，《勤礼碑》的魅力不在粗重，而在笔画内部的筋骨与字势的稳重。初学者若能从读碑、用笔、结构、校帖四个层面入手，更容易写出颜体的厚重而不臃肿。\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Ch2>一、先读懂《勤礼碑》的整体气质\u003C\u002Fh2>\u003Cp>据公开资料，颜真卿楷书常被概括为雄强、宽博、端庄。《勤礼碑》作为颜体楷书的重要范本，给人的直观感受是字形开阔、重心沉稳、笔画有包容感。临摹前，不要把注意力只放在某一个笔画的粗细变化上，而要先看整篇气息：字与字之间不追求欹侧险绝，而是以平正为主，在平正中见力量。\u003C\u002Fp>\u003Ch3>1. 笔画要有骨，不靠墨堆\u003C\u002Fh3>\u003Cp>颜体笔画饱满，但饱满不等于臃肿。临写时要先体会中锋行笔，让墨色从笔心铺开，边缘自然圆润。若只用笔腹按压，笔画容易扁薄，失去立体感。\u003C\u002Fp>\u003Ch3>2. 结构外宽内稳\u003C\u002Fh3>\u003Cp>《勤礼碑》的字形常常向外舒展，但内部并不松散。临摹时要特别注意中宫收紧、主笔突出。左右结构的字，可观察哪一笔伸展、哪一笔收敛；上下结构的字，则要看重心是否落在中轴附近。\u003C\u002Fp>\u003Ch2>二、临摹前的准备\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>选帖\u003C\u002Fstrong>：优先选择字迹清晰、笔画完整的拓本或影印本。若初学，可选单字放大、注释清楚的版本，便于观察起收笔。\u003C\u002Fli>\u003Cli>\u003Cstrong>工具\u003C\u002Fstrong>：初学可选弹性适中的兼毫笔，纸张可用不太洇墨的毛边纸或半生熟宣纸。墨汁以流畅不滞笔为宜，过稠容易写成墨团。\u003C\u002Fli>\u003Cli>\u003Cstrong>读帖\u003C\u002Fstrong>：动笔前先看字，不急于写。可先用手指空临，体会笔势的起止与转折。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>三、可执行的临摹步骤\u003C\u002Fh2>\u003Ch3>第一步：先读后写\u003C\u002Fh3>\u003Cp>每个字先观察三类信息：起笔方向、行笔轻重、收笔位置。尤其要看横画是否平中略斜，竖画是否垂直或略向内收，折笔处是提是按。读帖时可用铅笔在帖旁轻轻标注，不必写复杂笔记，只要能提醒自己即可。\u003C\u002Fp>\u003Ch3>第二步：单字精练\u003C\u002Fh3>\u003Cp>不要一上来就通篇抄帖。建议先选少量典型字反复练习，例如横画较多、竖画较长、撇捺舒展或折笔明显的字。每个字先分笔画练，再组合成字，最后看整体比例。\u003C\u002Fp>\u003Ch3>第三步：对临与校帖\u003C\u002Fh3>\u003Cp>对临时，可看一笔写一笔；熟练后过渡到看一字写一字。写完后不要立刻换字，先与原帖对照，找出最明显的一个问题，比如横画太斜、捺脚太尖、右半过宽等。下一遍只改这一个问题。\u003C\u002Fp>\u003Ch2>四、重点笔画与结构要点\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>横画\u003C\u002Fstrong>：起笔宜含蓄，中段要有提按，收笔沉稳。不要把横画写成简单平直的一条线。\u003C\u002Fli>\u003Cli>\u003Cstrong>竖画\u003C\u002Fstrong>：竖是颜体骨架，粗而不肿。垂露竖收笔要稳，悬针竖出锋要顺，不可甩笔。\u003C\u002Fli>\u003Cli>\u003Cstrong>撇捺\u003C\u002Fstrong>：撇要有弧度与速度变化，捺脚要舒展但不夸张。捺的末端不宜过尖，也不宜按成钝块。\u003C\u002Fli>\u003Cli>\u003Cstrong>转折\u003C\u002Fstrong>：折处常先提后按，外形圆润而内含方劲。临写时不要描出棱角，也不要一味圆滑。\u003C\u002Fli>\u003Cli>\u003Cstrong>点画呼应\u003C\u002Fstrong>：点虽小，却有方向。多点并列时，要注意大小、角度和彼此呼应。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>五、常见误区\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>只求肥厚\u003C\u002Fstrong>：把颜体写成墨猪，问题多在按笔过多、提笔不足。\u003C\u002Fli>\u003Cli>\u003Cstrong>只描外形\u003C\u002Fstrong>：照着轮廓涂抹，不写笔顺与笔势，字会呆板。\u003C\u002Fli>\u003Cli>\u003Cstrong>模仿剥蚀\u003C\u002Fstrong>：碑刻经过镌刻与风化，边缘会有斑驳感。初学者不宜故意抖动制造残缺，应先追求笔画干净。\u003C\u002Fli>\u003Cli>\u003Cstrong>结构过满\u003C\u002Fstrong>：把格子撑满并不等于大气。颜体的宽博来自笔画伸展与留白得当。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>六、临摹检查清单\u003C\u002Fh2>\u003Cul>\u003Cli>今天是否先读帖再动笔？\u003C\u002Fli>\u003Cli>是否选定少量字反复练，而不是贪多求快？\u003C\u002Fli>\u003Cli>横、竖、撇、捺的主次是否清楚？\u003C\u002Fli>\u003Cli>笔画是否保持中锋，没有出现扁薄、散锋？\u003C\u002Fli>\u003Cli>是否避免故意颤抖、描画外形？\u003C\u002Fli>\u003Cli>写完后是否圈出一个最需要改进的问题？\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>七、给初学者的练习建议\u003C\u002Fh2>\u003Cp>可以按照“读、临、比、改”的循环进行：先读帖，再对临，然后比对原帖，最后只改一个毛病。连续一段时间专攻少数典型字，比每天换很多字更容易见效。若发现线条软弱，可回到中锋与行笔速度上找原因；若发现结构松散，可回到中宫收紧与主笔定位上找原因。临《勤礼碑》不是追求表面厚重，而是通过稳定、舒展、含蓄的笔法，慢慢养出字里的筋骨与气象。\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">参考来源\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.hanyuguoxue.com\u002Fzidian\u002Fzi-39068\" rel=\"noopener noreferrer\" target=\"_blank\">颜的意思,颜的解释,颜的拼音,颜的部首,颜的笔顺-汉语国学\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fzidian.gushici.net\u002F15\u002F989c.html\" rel=\"noopener noreferrer\" target=\"_blank\">颜怎么读_颜的拼音 - 新华字典\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.shidianguji.com\u002Fcharacter\u002F%E9%A2%9C\" rel=\"noopener noreferrer\" target=\"_blank\">颜-字典-意思-解释-拼音-注音-读音-部首-出处\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.ufanv.cn\u002Fzidian\u002F%E9%A2%9C\" rel=\"noopener noreferrer\" target=\"_blank\">颜的读音、意思、部首、笔顺及组词 - 新华字典\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.hanyuguoxue.com\u002Fzuci\u002Fzi-39068\" rel=\"noopener noreferrer\" target=\"_blank\">颜组词_颜字组词_颜组词大全-汉语国学\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">免责声明：本文内容整理自公开网络资料，仅供学习交流参考，不代表观山书院立场。如涉及版权侵权，请联系我们删除。\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">联系邮箱：\u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>","","https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg","观山书院","calligraphy","published","2026-09-29T16:51:23.487805+08:00","2026-09-29T16:51:23.48848+08:00","2026-09-29T21:35:02.05246+08:00",[27],{"locale":12,"path":28},"\u002Farticles\u002F颜真卿-勤礼碑-临摹要点-从读帖到校帖的实用指南","\u003Cp>临习颜真卿《勤礼碑》，很多人第一眼会被它宽厚、端正的气象吸引，真正动笔后却容易遇到两个问题：一是把笔画写肥，二是把结构写散。其实，《勤礼碑》的魅力不在粗重，而在笔画内部的筋骨与字势的稳重。初学者若能从读碑、用笔、结构、校帖四个层面入手，更容易写出颜体的厚重而不臃肿。\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\">\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Ch2>一、先读懂《勤礼碑》的整体气质\u003C\u002Fh2>\u003Cp>据公开资料，颜真卿楷书常被概括为雄强、宽博、端庄。《勤礼碑》作为颜体楷书的重要范本，给人的直观感受是字形开阔、重心沉稳、笔画有包容感。临摹前，不要把注意力只放在某一个笔画的粗细变化上，而要先看整篇气息：字与字之间不追求欹侧险绝，而是以平正为主，在平正中见力量。\u003C\u002Fp>\u003Ch3>1. 笔画要有骨，不靠墨堆\u003C\u002Fh3>\u003Cp>颜体笔画饱满，但饱满不等于臃肿。临写时要先体会中锋行笔，让墨色从笔心铺开，边缘自然圆润。若只用笔腹按压，笔画容易扁薄，失去立体感。\u003C\u002Fp>\u003Ch3>2. 结构外宽内稳\u003C\u002Fh3>\u003Cp>《勤礼碑》的字形常常向外舒展，但内部并不松散。临摹时要特别注意中宫收紧、主笔突出。左右结构的字，可观察哪一笔伸展、哪一笔收敛；上下结构的字，则要看重心是否落在中轴附近。\u003C\u002Fp>\u003Ch2>二、临摹前的准备\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>选帖\u003C\u002Fstrong>：优先选择字迹清晰、笔画完整的拓本或影印本。若初学，可选单字放大、注释清楚的版本，便于观察起收笔。\u003C\u002Fli>\u003Cli>\u003Cstrong>工具\u003C\u002Fstrong>：初学可选弹性适中的兼毫笔，纸张可用不太洇墨的毛边纸或半生熟宣纸。墨汁以流畅不滞笔为宜，过稠容易写成墨团。\u003C\u002Fli>\u003Cli>\u003Cstrong>读帖\u003C\u002Fstrong>：动笔前先看字，不急于写。可先用手指空临，体会笔势的起止与转折。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>三、可执行的临摹步骤\u003C\u002Fh2>\u003Ch3>第一步：先读后写\u003C\u002Fh3>\u003Cp>每个字先观察三类信息：起笔方向、行笔轻重、收笔位置。尤其要看横画是否平中略斜，竖画是否垂直或略向内收，折笔处是提是按。读帖时可用铅笔在帖旁轻轻标注，不必写复杂笔记，只要能提醒自己即可。\u003C\u002Fp>\u003Ch3>第二步：单字精练\u003C\u002Fh3>\u003Cp>不要一上来就通篇抄帖。建议先选少量典型字反复练习，例如横画较多、竖画较长、撇捺舒展或折笔明显的字。每个字先分笔画练，再组合成字，最后看整体比例。\u003C\u002Fp>\u003Ch3>第三步：对临与校帖\u003C\u002Fh3>\u003Cp>对临时，可看一笔写一笔；熟练后过渡到看一字写一字。写完后不要立刻换字，先与原帖对照，找出最明显的一个问题，比如横画太斜、捺脚太尖、右半过宽等。下一遍只改这一个问题。\u003C\u002Fp>\u003Ch2>四、重点笔画与结构要点\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>横画\u003C\u002Fstrong>：起笔宜含蓄，中段要有提按，收笔沉稳。不要把横画写成简单平直的一条线。\u003C\u002Fli>\u003Cli>\u003Cstrong>竖画\u003C\u002Fstrong>：竖是颜体骨架，粗而不肿。垂露竖收笔要稳，悬针竖出锋要顺，不可甩笔。\u003C\u002Fli>\u003Cli>\u003Cstrong>撇捺\u003C\u002Fstrong>：撇要有弧度与速度变化，捺脚要舒展但不夸张。捺的末端不宜过尖，也不宜按成钝块。\u003C\u002Fli>\u003Cli>\u003Cstrong>转折\u003C\u002Fstrong>：折处常先提后按，外形圆润而内含方劲。临写时不要描出棱角，也不要一味圆滑。\u003C\u002Fli>\u003Cli>\u003Cstrong>点画呼应\u003C\u002Fstrong>：点虽小，却有方向。多点并列时，要注意大小、角度和彼此呼应。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>五、常见误区\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>只求肥厚\u003C\u002Fstrong>：把颜体写成墨猪，问题多在按笔过多、提笔不足。\u003C\u002Fli>\u003Cli>\u003Cstrong>只描外形\u003C\u002Fstrong>：照着轮廓涂抹，不写笔顺与笔势，字会呆板。\u003C\u002Fli>\u003Cli>\u003Cstrong>模仿剥蚀\u003C\u002Fstrong>：碑刻经过镌刻与风化，边缘会有斑驳感。初学者不宜故意抖动制造残缺，应先追求笔画干净。\u003C\u002Fli>\u003Cli>\u003Cstrong>结构过满\u003C\u002Fstrong>：把格子撑满并不等于大气。颜体的宽博来自笔画伸展与留白得当。\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>六、临摹检查清单\u003C\u002Fh2>\u003Cul>\u003Cli>今天是否先读帖再动笔？\u003C\u002Fli>\u003Cli>是否选定少量字反复练，而不是贪多求快？\u003C\u002Fli>\u003Cli>横、竖、撇、捺的主次是否清楚？\u003C\u002Fli>\u003Cli>笔画是否保持中锋，没有出现扁薄、散锋？\u003C\u002Fli>\u003Cli>是否避免故意颤抖、描画外形？\u003C\u002Fli>\u003Cli>写完后是否圈出一个最需要改进的问题？\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>七、给初学者的练习建议\u003C\u002Fh2>\u003Cp>可以按照“读、临、比、改”的循环进行：先读帖，再对临，然后比对原帖，最后只改一个毛病。连续一段时间专攻少数典型字，比每天换很多字更容易见效。若发现线条软弱，可回到中锋与行笔速度上找原因；若发现结构松散，可回到中宫收紧与主笔定位上找原因。临《勤礼碑》不是追求表面厚重，而是通过稳定、舒展、含蓄的笔法，慢慢养出字里的筋骨与气象。\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">参考来源\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.hanyuguoxue.com\u002Fzidian\u002Fzi-39068\" rel=\"noopener noreferrer\">颜的意思,颜的解释,颜的拼音,颜的部首,颜的笔顺-汉语国学\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fzidian.gushici.net\u002F15\u002F989c.html\" rel=\"noopener noreferrer\">颜怎么读_颜的拼音 - 新华字典\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.shidianguji.com\u002Fcharacter\u002F%E9%A2%9C\" rel=\"noopener noreferrer\">颜-字典-意思-解释-拼音-注音-读音-部首-出处\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.ufanv.cn\u002Fzidian\u002F%E9%A2%9C\" rel=\"noopener noreferrer\">颜的读音、意思、部首、笔顺及组词 - 新华字典\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.hanyuguoxue.com\u002Fzuci\u002Fzi-39068\" rel=\"noopener noreferrer\">颜组词_颜字组词_颜组词大全-汉语国学\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">免责声明：本文内容整理自公开网络资料，仅供学习交流参考，不代表观山书院立场。如涉及版权侵权，请联系我们删除。\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">联系邮箱：\u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>",["Island",31],{"key":32,"result":33},"AppImage_gFn5pqtkBkrVRd6yvKvED8ltwTp9y3Sa93bFRXt0qaA",{"head":34},{"link":35,"style":36},[],[],[38,50],{"id":39,"locale":40,"slug":41,"type":14,"title":42,"summary":43,"content_html":44,"video_url":18,"cover_url":45,"author":46,"category":21,"status":22,"published_at":47,"created_at":48,"updated_at":49},3288,"en","楷书基本笔画每日练-横竖撇捺入门方法与练习清单","Daily Practice of Basic Regular Script Strokes: Beginner Methods and Practice Checklist for Horizontal, Vertical, Left-Falling, and Right-Falling Strokes","This article focuses on the horizontal, vertical, left-falling, and right-falling strokes of regular script, outlining the essentials of starting, moving, and finishing each stroke. It also provides daily practice steps and a self-check list to help beginners write characters steadily and cleanly.","\u003Ch2>Start with Horizontal, Vertical, Left-Falling, and Right-Falling Strokes to Build a Solid Regular Script Foundation\u003C\u002Fh2>\u003Cp>When learning regular script, many people begin by copying complete characters and often overlook the strokes themselves. According to publicly available materials, the basic strokes of regular script usually include dot, horizontal, vertical, left-falling, right-falling, turning, raising, and hook. Among these, horizontal, vertical, left-falling, and right-falling strokes appear frequently and directly affect a character's balance and vitality. For beginners, instead of trying to cover too much too quickly, it is better to practice these four strokes separately. First steady your hand and make the lines clean, then gradually move on to structure.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Ftea_leaves.jpg\" alt=\"春茶新芽\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>春茶新芽\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Cp>This article focuses mainly on hard-pen regular script for beginners, while also considering everyday writing. The principles of hard-pen and brush strokes are related, but hard-pen writing emphasizes clarity and crispness more, and does not need deliberately exaggerated thick-and-thin changes. As long as the three actions of starting, moving, and finishing are clear, the forms of the characters will gradually become upright.\u003C\u002Fp>\u003Ch2>Horizontal: First Learn to Draw a Steady Line\u003C\u002Fh2>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Start with a light press:\u003C\u002Fstrong> After the pen tip touches the paper, make a very small pause so the stroke has a beginning point; do not simply slide straight across.\u003C\u002Fli>\u003Cli>\u003Cstrong>Move steadily:\u003C\u002Fstrong> When moving to the right, slow down and keep the pressure as even as possible. A horizontal stroke is usually not completely flat; it should rise slightly toward the upper right, giving it more vitality.\u003C\u002Fli>\u003Cli>\u003Cstrong>Finish cleanly:\u003C\u002Fstrong> At the end, pause lightly and lift the pen, avoiding rough edges or a sudden sharp flick.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Common Problems and Corrections\u003C\u002Fh3>\u003Cul>\u003Cli>Horizontal stroke becomes wavy: This is often caused by a trembling hand or writing too fast. Slow down and let the arm guide the pen, rather than moving it only with the fingers.\u003C\u002Fli>\u003Cli>Both ends of the horizontal stroke droop: Keep a slight upward momentum, and avoid writing it as an arc.\u003C\u002Fli>\u003Cli>Multiple horizontal strokes have no clear length difference: When writing characters such as 二, 三, and 王, distinguish the main horizontal stroke from secondary ones. The long horizontal should be extended, while the short ones should be restrained.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Vertical: Make the Character Stand Firm\u003C\u002Fh2>\u003Ch3>Two Common Vertical Strokes\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Hanging-needle vertical:\u003C\u002Fstrong> The end tapers gradually, like a hanging needle. It is often used for the final vertical stroke of a character.\u003C\u002Fli>\u003Cli>\u003Cstrong>Dewdrop vertical:\u003C\u002Fstrong> The end pauses lightly and is drawn back, like a hanging drop of dew. It is often used where a steady, contained ending is needed.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>Press lightly at the beginning to fix the position.\u003C\u002Fli>\u003Cli>When moving downward, keep the pen tip stable and the direction straight, without leaning left or right.\u003C\u002Fli>\u003Cli>For the hanging-needle vertical, gradually lift from heavy to light; for the dewdrop vertical, pause slightly at the end before finishing, and do not flick out carelessly.\u003C\u002Fli>\u003C\u002Ful>\u003Cp>If a vertical stroke is crooked, it is often because the wrist turns too much. You can first draw a faint straight line on the paper as a guide, then practice along the line repeatedly until your arm learns the feeling of moving straight downward.\u003C\u002Fp>\u003Ch2>Left-Falling Stroke: Write a Natural Curve\u003C\u002Fh2>\u003Cp>The left-falling stroke opens from the upper right toward the lower left. When written well, it makes the character look open and relaxed. Beginners often turn it into a straight stick, or lose control at the end so that it suddenly becomes too thin.\u003C\u002Fp>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Begin steadily:\u003C\u002Fstrong> Press lightly first, then move toward the lower left.\u003C\u002Fli>\u003Cli>\u003Cstrong>Keep a gentle curve in the middle:\u003C\u002Fstrong> The left-falling stroke is not a straight line; it should have a natural bend. The curve should not be too large, nor should the stroke become stiff.\u003C\u002Fli>\u003Cli>\u003Cstrong>Send the tip out at the end:\u003C\u002Fstrong> As you approach the tail, gradually reduce pressure so the pen tip leaves the paper naturally, forming a clean taper.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Practice Suggestions\u003C\u002Fh3>\u003Cul>\u003Cli>Practice short left-falling strokes first, then long ones; avoid chasing length at the beginning.\u003C\u002Fli>\u003Cli>Use characters such as 人, 八, 千, and 川 to feel the direction and curve of the left-falling stroke.\u003C\u002Fli>\u003Cli>When writing a left-falling stroke, keep the wrist relaxed and do not press hard all the way to the end.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Right-Falling Stroke: Open the Center of Gravity Steadily\u003C\u002Fh2>\u003Cp>The right-falling stroke is often paired with the left-falling stroke and determines whether the character's momentum is open. If it is not written well, the character can look cramped or unbalanced. The key is to open first and then control the ending; it should not become a simple diagonal line.\u003C\u002Fp>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Enter lightly:\u003C\u002Fstrong> For a diagonal right-falling stroke, touch the paper lightly from the upper left toward the lower right, then gradually increase pressure.\u003C\u002Fli>\u003Cli>\u003Cstrong>Spread the tip or add pressure in the middle:\u003C\u002Fstrong> In hard-pen writing, you can show a change in thickness by applying moderate pressure, but do not exaggerate it.\u003C\u002Fli>\u003Cli>\u003Cstrong>Pause at the foot, then release horizontally:\u003C\u002Fstrong> When you reach the foot of the stroke, pause briefly, then slowly send the pen to the right or slightly upward, forming a stable ending.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Common Mistakes\u003C\u002Fh3>\u003Cul>\u003Cli>The stroke looks like a slide: It lacks change in the middle, making the line thin and weak.\u003C\u002Fli>\u003Cli>The foot is too heavy: Pressing too hard at the end makes it look clumsy.\u003C\u002Fli>\u003Cli>The stroke is too short: It does not match the left-falling stroke, so the character cannot open up.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Daily Practice Plan: A Four-Step Method for Horizontal, Vertical, Left-Falling, and Right-Falling Strokes\u003C\u002Fh2>\u003Ch3>Actionable Steps\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Step 1: Warm up with lines.\u003C\u002Fstrong> First draw slow horizontal and vertical lines on paper. The focus is not on quantity, but on making the lines clean, steady, and unbroken.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 2: Repeat single strokes.\u003C\u002Fstrong> Practice horizontal, vertical, left-falling, and right-falling strokes in order. For each stroke, first observe the beginning, movement, and finish, then write it.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 3: Use simple characters.\u003C\u002Fstrong> Choose simple characters to consolidate the strokes. For horizontal strokes, practice 一, 二, and 三; for vertical strokes, practice 十, 中, and 木; for left-falling strokes, practice 人, 八, and 千; for right-falling strokes, practice 大, 人, and 文.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 4: Compare and correct.\u003C\u002Fstrong> After each set, choose the least satisfying stroke, mark the problem, and in the next set correct only one problem at a time.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Daily Practice Checklist\u003C\u002Fh3>\u003Cul>\u003Cli>Did I observe first before writing, instead of writing casually?\u003C\u002Fli>\u003Cli>Are horizontal strokes steady, without obvious trembling or drooping?\u003C\u002Fli>\u003Cli>Are vertical strokes upright, with clean endings?\u003C\u002Fli>\u003Cli>Do left-falling strokes have a natural curve and a light, clean taper?\u003C\u002Fli>\u003Cli>Do right-falling strokes have a clear beginning and ending, with a steady foot?\u003C\u002Fli>\u003Cli>Did I correct only one main problem, instead of trying to fix too many?\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Practical Advice for Beginners\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>Slow before fast:\u003C\u002Fstrong> Regular script is not produced by speed. First make the movements clear, then work on fluency.\u003C\u002Fli>\u003Cli>\u003Cstrong>Accurate before beautiful:\u003C\u002Fstrong> First aim for correct position and direction, then pursue line quality.\u003C\u002Fli>\u003Cli>\u003Cstrong>Few but precise:\u003C\u002Fstrong> Writing a small number of strokes carefully each day is more effective than mechanically filling a page.\u003C\u002Fli>\u003Cli>\u003Cstrong>Use guides:\u003C\u002Fstrong> You can use grid lines, straight lines, or copybooks to help observation, but do not merely trace the outer shape; understand the movement of the strokes.\u003C\u002Fli>\u003Cli>\u003Cstrong>Keep samples:\u003C\u002Fstrong> Regularly save your practice sheets so you can compare progress and notice recurring problems.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Conclusion\u003C\u002Fh2>\u003Cp>Horizontal, vertical, left-falling, and right-falling strokes seem simple, but they are the foundation of regular script aesthetics. When the horizontal is steady, the character is settled; when the vertical is upright, the character stands; when the left-falling stroke opens, the character becomes lively; when the right-falling stroke is controlled, the character is complete. Setting aside a fixed period each day, practicing step by step, and checking yourself promptly will bring more visible change than copying copybooks blindly. Once the basic strokes are clean, structure and composition will have something to rely on.\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">References\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fzhuanlan.zhihu.com\u002Fp\u002F88987448\" rel=\"noopener noreferrer\" target=\"_blank\">硬笔楷书基本笔画（一） | 动图 X 图解 - 知乎\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.meipian.cn\u002F52r5rj94\" rel=\"noopener noreferrer\" target=\"_blank\">楷书基本笔画的写法，超高清完整版图解！\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.iqiyi.com\u002Fa_19rrhs5crx.html\" rel=\"noopener noreferrer\" target=\"_blank\">《硬笔书法楷书基本笔画视频教程28集全》知识完整版-高清 ...\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fshufazitie.net\u002Fjiaocheng\u002Fyingbi-bihua-xiangjie.html\" rel=\"noopener noreferrer\" target=\"_blank\">硬笔楷书基本笔画详解：八大笔画写法要领 | 书法字帖\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">Disclaimer: This article is compiled from publicly available online sources for educational purposes only and does not represent the official position of Guanshan Academy. If you believe your rights have been infringed, please contact us for removal.\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">Contact: \u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>","https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Ftea_leaves.jpg","Guanshan Academy","2026-09-29T20:29:08.168983+08:00","2026-09-29T20:34:16.707223+08:00","2026-09-29T21:35:01.801307+08:00",{"id":51,"locale":40,"slug":52,"type":14,"title":53,"summary":54,"content_html":55,"video_url":18,"cover_url":19,"author":46,"category":21,"status":22,"published_at":56,"created_at":57,"updated_at":58},12,"copying-lanting-calligraphy","Copying the Lanting Xu: Brushwork and Inner Practice","Starting with Lanting Xu rubbings — centered strokes and mindful copying.","\u003Cp>Copying classics is not only tracing shapes; it is \u003Cstrong>borrowing an ancient brush-mind to settle your own\u003C\u002Fstrong>. Begin with single characters from the Lanting Xu — fifty a day, steady and complete.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Cp>Watch for centered strokes, lift-and-press transitions, and a clean desk. Sit quietly before the first stroke; the line will tell you whether the mind is restless.\u003C\u002Fp>\n\u003Cp>Our calligraphy column will share copying notes and short essays on brush culture.\u003C\u002Fp>","2026-09-25T20:02:54.792954+08:00","2026-09-28T20:02:54.809092+08:00","2026-09-29T21:35:02.130032+08:00",["Island",60],{"key":61,"result":62},"PortalBreadcrumb_VqYZoPHyOOeyKKhqYjIyfpdqXlrMvfN2cE6ptbhQ4",{"head":63},{"link":64,"style":65},[],[],["Island",67],{"key":68,"result":69},"PostCard_dZU1qucSDkmX1R7JnPwUgilEds37KFfHABubYdqyOl4",{"head":70},{"link":71,"style":72},[],[],["Island",74],{"key":75,"result":76},"PostCard_zDwADF04sxDJAmR3NpgHZvZBEWxy1f7Q6g7GWb70A",{"head":77},{"link":78,"style":79},[],[],1790694054288]