[{"data":1,"prerenderedAt":80},["ShallowReactive",2],{"PortalFooter_QX9Sj6L0jYa0f3sHh8puk8D6pkI69QhELaa1ZMuWxNo":3,"article-ja-楷书基本笔画每日练-横竖撇捺入门指南":10,"article-body-v-0-0-0":31,"AppImage_IgU4NGBAm1yqywiRC5xDnXFq1XjYwPMkyD4TIUZOwZ8":32,"PortalBreadcrumb_ycQsWoLsxBqUcXdKeqXGeGvNOvpkaoCKgEwqffCQr8":39,"related-ja-article-楷书基本笔画每日练-横竖撇捺入门指南":46,"PostCard_UjtTgS8BXnMzUlAO8Z7E5FEU6V0ZP02nl83DxyLc":66,"PostCard_aWsi22PZNAy1Cv5uK7GFk7fEDVcizOB8T1jHjI3nOc":73},["Island",4],{"key":5,"result":6},"PortalFooter_QX9Sj6L0jYa0f3sHh8puk8D6pkI69QhELaa1ZMuWxNo",{"head":7},{"link":8,"style":9},[],[],{"id":11,"locale":12,"slug":13,"type":14,"title":15,"summary":16,"content_html":17,"video_url":18,"cover_url":19,"author":20,"category":21,"status":22,"published_at":23,"created_at":24,"updated_at":24,"alternates":25},4660,"en","楷书基本笔画每日练-横竖撇捺入门指南","article","Daily Practice of Basic Regular Script Strokes: A Beginner's Guide to Horizontal, Vertical, Left-Falling, and Right-Falling Strokes","For beginners in Chinese calligraphy, this guide outlines training points for the horizontal, vertical, left-falling, and right-falling strokes in regular script, providing daily practice steps and a self-check list to stabilize brushwork and improve structural awareness.","\u003Ch2>Building a Foundation with Horizontal, Vertical, Left-Falling, and Right-Falling Strokes\u003C\u002Fh2>\u003Cp>When learning regular script, many people begin with basic strokes. According to publicly available materials, common introductory paths in calligraphy usually list the horizontal, vertical, left-falling, right-falling, dot, turning, hook, and rising strokes as foundational training. For beginners, the horizontal, vertical, left-falling, and right-falling strokes appear frequently and clearly demonstrate the basic movements of starting, moving, and finishing a stroke. Once these four strokes become steady, it is easier to develop a feel for dots, hooks, and turning strokes later.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\u003Cp>Daily practice is not about writing a large amount in one sitting. It is about having a clear method, stable movements, and the ability to see problems. Short, focused, repetitive practice every day is more effective than occasional long sessions.\u003C\u002Fp>\u003Ch2>Preparation Before Practice\u003C\u002Fh2>\u003Ch3>Choosing Tools\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Brush:\u003C\u002Fstrong> Beginners of regular script may choose a mixed-hair or weasel-hair brush with moderate spring, which makes it easier to express lifting and pressing.\u003C\u002Fli>\u003Cli>\u003Cstrong>Paper:\u003C\u002Fstrong> Use maobian paper with a rice-character grid or ordinary calligraphy practice paper. The grid helps you observe the direction and position of strokes.\u003C\u002Fli>\u003Cli>\u003Cstrong>Copybook:\u003C\u002Fstrong> Choose an introductory model from classic regular-script copybooks. Focus on one style at first and avoid changing too often.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Posture and Brush Holding\u003C\u002Fh3>\u003Cul>\u003Cli>Sit upright, relax your shoulders, and keep a natural distance between your chest and the edge of the table.\u003C\u002Fli>\u003Cli>Hold the brush firmly yet flexibly; do not grip it too tightly.\u003C\u002Fli>\u003Cli>Let your wrist and forearm work together naturally. When writing long horizontal or vertical strokes, do not rely only on finger movements.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Key Points for the Four Strokes\u003C\u002Fh2>\u003Ch3>Horizontal: Level but Not Stiff\u003C\u002Fh3>\u003Cp>A common problem with the horizontal stroke is drawing a perfectly level straight line, which can look rigid. In regular script, horizontal strokes usually have slight variation: the beginning pauses lightly, the middle moves steadily, and the ending turns back to protect the stroke. When practicing, focus on experiencing the complete process of the brush tip entering, moving across, and leaving the paper, rather than simply drawing a line.\u003C\u002Fp>\u003Cul>\u003Cli>Press lightly at the beginning to set the direction.\u003C\u002Fli>\u003Cli>Move through the middle at an even speed and maintain strength in the line.\u003C\u002Fli>\u003Cli>Pause slightly at the end and turn the brush tip back, avoiding a sudden flick.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Vertical: Straight yet Dynamic\u003C\u002Fh3>\u003Cp>A vertical stroke should stand upright, but it should not be stiff. Beginners can first practice the dewdrop vertical, where the ending pauses slightly and turns back, making the brush tip easier to control. After gaining some foundation, try the suspended-needle vertical and its exposed tip. When writing vertical strokes, focus on keeping the brush tip centered and the direction steady.\u003C\u002Fp>\u003Cul>\u003Cli>The beginning may be light or heavy, but the direction must be correct.\u003C\u002Fli>\u003Cli>Do not tilt the brush shaft too much while moving.\u003C\u002Fli>\u003Cli>Finish the stroke cleanly; do not drag out a weak, pointed tail.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Left-Falling Stroke: From Heavy to Light\u003C\u002Fh3>\u003Cp>The key to the left-falling stroke is the coordination between curve and speed. Press slightly at the beginning, then sweep naturally toward the lower left or left. The line changes from thick to thin, but it must not feel flimsy. Beginners often make it too curved or too straight; use a rice-character grid at first to help judge the angle.\u003C\u002Fp>\u003Cul>\u003Cli>Start steadily to avoid a thin, sharp beginning.\u003C\u002Fli>\u003Cli>Keep the curve natural through the middle; do not bend it abruptly.\u003C\u002Fli>\u003Cli>When releasing the tip, carry the strength to the point so the end is light but not empty.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Right-Falling Stroke: One Wave with Three Turns\u003C\u002Fh3>\u003Cp>The right-falling stroke is relatively difficult among the four because it has clear rhythmic changes. A common method begins lightly, gradually spreads the brush as it moves, pauses slightly at the foot, and then sends the stroke outward to the right. When practicing, do not rush to create a beautiful foot. First grasp the overall slant and the change from thin to thick.\u003C\u002Fp>\u003Cul>\u003Cli>First determine the slanting direction of the stroke.\u003C\u002Fli>\u003Cli>Gradually add weight through the middle to avoid a heavy beginning and weak ending.\u003C\u002Fli>\u003Cli>Keep the pause at the foot short, and release the tip decisively.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Daily Practice Steps\u003C\u002Fh2>\u003Cp>The following is a daily practice plan suitable for beginners; adjust it according to your available time.\u003C\u002Fp>\u003Cul>\u003Cli>\u003Cstrong>Step 1: Warm up for five minutes.\u003C\u002Fstrong> Write short horizontal and vertical strokes continuously on paper. Focus on the feeling of the brush tip entering and leaving the paper, not on quantity.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 2: Practice one stroke for ten minutes.\u003C\u002Fstrong> Focus on one stroke each day—for example, horizontal on Monday, vertical on Tuesday, left-falling on Wednesday, and right-falling on Thursday—and use Friday through Sunday to review and consolidate. Write several lines of each stroke, leaving time to observe between lines.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 3: Compare with a copybook for five minutes.\u003C\u002Fstrong> Choose simple characters from your copybook that contain the stroke you are practicing. Observe the position, length, and angle of the stroke within the character, then copy a small number of characters.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 4: Record problems.\u003C\u002Fstrong> Use a pencil to write down the most obvious problem of the day beside your work, such as finishing the horizontal too heavily, curving the left-falling stroke too much, or dragging the foot of the right-falling stroke.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Self-Check List\u003C\u002Fh2>\u003Cul>\u003Cli>Is the beginning of the stroke clearly formed, without careless smearing?\u003C\u002Fli>\u003Cli>Is the movement steady, or does the line become unevenly thick or thin?\u003C\u002Fli>\u003Cli>Is the ending complete, without splayed hairs or a weak point?\u003C\u002Fli>\u003Cli>Does the direction of the stroke match the basic movement of regular script?\u003C\u002Fli>\u003Cli>When repeating the same stroke, can you keep it basically consistent?\u003C\u002Fli>\u003Cli>Are you using too much force, causing stiff fingers or a rough paper surface?\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Common Problems and Corrections\u003C\u002Fh2>\u003Ch3>Horizontal Strokes Are Not Level\u003C\u002Fh3>\u003Cp>If horizontal strokes are always slanted, first write them slowly along the horizontal guide lines in a rice-character grid. Focus on controlling the positions of the beginning and ending. After becoming more familiar, gradually increase speed.\u003C\u002Fp>\u003Ch3>Vertical Strokes Are Curved\u003C\u002Fh3>\u003Cp>Curved vertical strokes are often related to gripping the brush too tightly or moving hesitantly. During practice, shorten the stroke: first write short verticals, keeping the brush tip centered and the direction vertical, then gradually write longer ones.\u003C\u002Fp>\u003Ch3>Left-Falling Strokes Look Flimsy\u003C\u002Fh3>\u003Cp>If the released tip of a left-falling stroke is too light, it is often because the brush tip has not been carried to the end. Pause briefly before finishing, feel the direction in which the tip leaves the paper, and avoid flicking it out casually.\u003C\u002Fp>\u003Ch3>The Foot of the Right-Falling Stroke Looks Stiff\u003C\u002Fh3>\u003Cp>If the foot is not working well, do not repeatedly trace it by itself. First practice slanting long dots or short right-falling strokes to experience the process of spreading the brush from light to heavy, then move on to the complete right-falling stroke.\u003C\u002Fp>\u003Ch2>Making Practice Part of Daily Life\u003C\u002Fh2>\u003Cp>The basic strokes of regular script may seem simple, but writing them well requires repeated reflection. Try to set a fixed time for daily practice, such as after dinner or in the morning, so it becomes a habit. After each session, choose three to five strokes you are relatively satisfied with and mark the places that need improvement. With long-term practice, the horizontal, vertical, left-falling, and right-falling strokes will gradually become steady, laying a foundation for learning radicals and structural composition later.\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">References\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fshufazitie.net\u002Fjiaocheng.html\" rel=\"noopener noreferrer\" target=\"_blank\">书法教程 — 从零开始学书法 | 书法字帖\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">Disclaimer: This article is compiled from publicly available online sources for educational purposes only and does not represent the official position of Guanshan Academy. If you believe your rights have been infringed, please contact us for removal.\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">Contact: \u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>","","https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg","Guanshan Academy","calligraphy","published","2026-09-30T16:36:10.058618+08:00","2026-09-30T16:39:39.160103+08:00",[26,29],{"locale":27,"path":28},"zh","\u002Farticles\u002F楷书基本笔画每日练-横竖撇捺入门指南",{"locale":12,"path":30},"\u002Fen\u002Farticles\u002F楷书基本笔画每日练-横竖撇捺入门指南","\u003Ch2>Building a Foundation with Horizontal, Vertical, Left-Falling, and Right-Falling Strokes\u003C\u002Fh2>\u003Cp>When learning regular script, many people begin with basic strokes. According to publicly available materials, common introductory paths in calligraphy usually list the horizontal, vertical, left-falling, right-falling, dot, turning, hook, and rising strokes as foundational training. For beginners, the horizontal, vertical, left-falling, and right-falling strokes appear frequently and clearly demonstrate the basic movements of starting, moving, and finishing a stroke. Once these four strokes become steady, it is easier to develop a feel for dots, hooks, and turning strokes later.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\">\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\u003Cp>Daily practice is not about writing a large amount in one sitting. It is about having a clear method, stable movements, and the ability to see problems. Short, focused, repetitive practice every day is more effective than occasional long sessions.\u003C\u002Fp>\u003Ch2>Preparation Before Practice\u003C\u002Fh2>\u003Ch3>Choosing Tools\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Brush:\u003C\u002Fstrong> Beginners of regular script may choose a mixed-hair or weasel-hair brush with moderate spring, which makes it easier to express lifting and pressing.\u003C\u002Fli>\u003Cli>\u003Cstrong>Paper:\u003C\u002Fstrong> Use maobian paper with a rice-character grid or ordinary calligraphy practice paper. The grid helps you observe the direction and position of strokes.\u003C\u002Fli>\u003Cli>\u003Cstrong>Copybook:\u003C\u002Fstrong> Choose an introductory model from classic regular-script copybooks. Focus on one style at first and avoid changing too often.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Posture and Brush Holding\u003C\u002Fh3>\u003Cul>\u003Cli>Sit upright, relax your shoulders, and keep a natural distance between your chest and the edge of the table.\u003C\u002Fli>\u003Cli>Hold the brush firmly yet flexibly; do not grip it too tightly.\u003C\u002Fli>\u003Cli>Let your wrist and forearm work together naturally. When writing long horizontal or vertical strokes, do not rely only on finger movements.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Key Points for the Four Strokes\u003C\u002Fh2>\u003Ch3>Horizontal: Level but Not Stiff\u003C\u002Fh3>\u003Cp>A common problem with the horizontal stroke is drawing a perfectly level straight line, which can look rigid. In regular script, horizontal strokes usually have slight variation: the beginning pauses lightly, the middle moves steadily, and the ending turns back to protect the stroke. When practicing, focus on experiencing the complete process of the brush tip entering, moving across, and leaving the paper, rather than simply drawing a line.\u003C\u002Fp>\u003Cul>\u003Cli>Press lightly at the beginning to set the direction.\u003C\u002Fli>\u003Cli>Move through the middle at an even speed and maintain strength in the line.\u003C\u002Fli>\u003Cli>Pause slightly at the end and turn the brush tip back, avoiding a sudden flick.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Vertical: Straight yet Dynamic\u003C\u002Fh3>\u003Cp>A vertical stroke should stand upright, but it should not be stiff. Beginners can first practice the dewdrop vertical, where the ending pauses slightly and turns back, making the brush tip easier to control. After gaining some foundation, try the suspended-needle vertical and its exposed tip. When writing vertical strokes, focus on keeping the brush tip centered and the direction steady.\u003C\u002Fp>\u003Cul>\u003Cli>The beginning may be light or heavy, but the direction must be correct.\u003C\u002Fli>\u003Cli>Do not tilt the brush shaft too much while moving.\u003C\u002Fli>\u003Cli>Finish the stroke cleanly; do not drag out a weak, pointed tail.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Left-Falling Stroke: From Heavy to Light\u003C\u002Fh3>\u003Cp>The key to the left-falling stroke is the coordination between curve and speed. Press slightly at the beginning, then sweep naturally toward the lower left or left. The line changes from thick to thin, but it must not feel flimsy. Beginners often make it too curved or too straight; use a rice-character grid at first to help judge the angle.\u003C\u002Fp>\u003Cul>\u003Cli>Start steadily to avoid a thin, sharp beginning.\u003C\u002Fli>\u003Cli>Keep the curve natural through the middle; do not bend it abruptly.\u003C\u002Fli>\u003Cli>When releasing the tip, carry the strength to the point so the end is light but not empty.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Right-Falling Stroke: One Wave with Three Turns\u003C\u002Fh3>\u003Cp>The right-falling stroke is relatively difficult among the four because it has clear rhythmic changes. A common method begins lightly, gradually spreads the brush as it moves, pauses slightly at the foot, and then sends the stroke outward to the right. When practicing, do not rush to create a beautiful foot. First grasp the overall slant and the change from thin to thick.\u003C\u002Fp>\u003Cul>\u003Cli>First determine the slanting direction of the stroke.\u003C\u002Fli>\u003Cli>Gradually add weight through the middle to avoid a heavy beginning and weak ending.\u003C\u002Fli>\u003Cli>Keep the pause at the foot short, and release the tip decisively.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Daily Practice Steps\u003C\u002Fh2>\u003Cp>The following is a daily practice plan suitable for beginners; adjust it according to your available time.\u003C\u002Fp>\u003Cul>\u003Cli>\u003Cstrong>Step 1: Warm up for five minutes.\u003C\u002Fstrong> Write short horizontal and vertical strokes continuously on paper. Focus on the feeling of the brush tip entering and leaving the paper, not on quantity.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 2: Practice one stroke for ten minutes.\u003C\u002Fstrong> Focus on one stroke each day—for example, horizontal on Monday, vertical on Tuesday, left-falling on Wednesday, and right-falling on Thursday—and use Friday through Sunday to review and consolidate. Write several lines of each stroke, leaving time to observe between lines.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 3: Compare with a copybook for five minutes.\u003C\u002Fstrong> Choose simple characters from your copybook that contain the stroke you are practicing. Observe the position, length, and angle of the stroke within the character, then copy a small number of characters.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 4: Record problems.\u003C\u002Fstrong> Use a pencil to write down the most obvious problem of the day beside your work, such as finishing the horizontal too heavily, curving the left-falling stroke too much, or dragging the foot of the right-falling stroke.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Self-Check List\u003C\u002Fh2>\u003Cul>\u003Cli>Is the beginning of the stroke clearly formed, without careless smearing?\u003C\u002Fli>\u003Cli>Is the movement steady, or does the line become unevenly thick or thin?\u003C\u002Fli>\u003Cli>Is the ending complete, without splayed hairs or a weak point?\u003C\u002Fli>\u003Cli>Does the direction of the stroke match the basic movement of regular script?\u003C\u002Fli>\u003Cli>When repeating the same stroke, can you keep it basically consistent?\u003C\u002Fli>\u003Cli>Are you using too much force, causing stiff fingers or a rough paper surface?\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Common Problems and Corrections\u003C\u002Fh2>\u003Ch3>Horizontal Strokes Are Not Level\u003C\u002Fh3>\u003Cp>If horizontal strokes are always slanted, first write them slowly along the horizontal guide lines in a rice-character grid. Focus on controlling the positions of the beginning and ending. After becoming more familiar, gradually increase speed.\u003C\u002Fp>\u003Ch3>Vertical Strokes Are Curved\u003C\u002Fh3>\u003Cp>Curved vertical strokes are often related to gripping the brush too tightly or moving hesitantly. During practice, shorten the stroke: first write short verticals, keeping the brush tip centered and the direction vertical, then gradually write longer ones.\u003C\u002Fp>\u003Ch3>Left-Falling Strokes Look Flimsy\u003C\u002Fh3>\u003Cp>If the released tip of a left-falling stroke is too light, it is often because the brush tip has not been carried to the end. Pause briefly before finishing, feel the direction in which the tip leaves the paper, and avoid flicking it out casually.\u003C\u002Fp>\u003Ch3>The Foot of the Right-Falling Stroke Looks Stiff\u003C\u002Fh3>\u003Cp>If the foot is not working well, do not repeatedly trace it by itself. First practice slanting long dots or short right-falling strokes to experience the process of spreading the brush from light to heavy, then move on to the complete right-falling stroke.\u003C\u002Fp>\u003Ch2>Making Practice Part of Daily Life\u003C\u002Fh2>\u003Cp>The basic strokes of regular script may seem simple, but writing them well requires repeated reflection. Try to set a fixed time for daily practice, such as after dinner or in the morning, so it becomes a habit. After each session, choose three to five strokes you are relatively satisfied with and mark the places that need improvement. With long-term practice, the horizontal, vertical, left-falling, and right-falling strokes will gradually become steady, laying a foundation for learning radicals and structural composition later.\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">References\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fshufazitie.net\u002Fjiaocheng.html\" rel=\"noopener noreferrer\">书法教程 — 从零开始学书法 | 书法字帖\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">Disclaimer: This article is compiled from publicly available online sources for educational purposes only and does not represent the official position of Guanshan Academy. If you believe your rights have been infringed, please contact us for removal.\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">Contact: \u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>",["Island",33],{"key":34,"result":35},"AppImage_IgU4NGBAm1yqywiRC5xDnXFq1XjYwPMkyD4TIUZOwZ8",{"head":36},{"link":37,"style":38},[],[],["Island",40],{"key":41,"result":42},"PortalBreadcrumb_ycQsWoLsxBqUcXdKeqXGeGvNOvpkaoCKgEwqffCQr8",{"head":43},{"link":44,"style":45},[],[],[47,57],{"id":48,"locale":12,"slug":49,"type":14,"title":50,"summary":51,"content_html":52,"video_url":18,"cover_url":53,"author":20,"category":21,"status":22,"published_at":54,"created_at":55,"updated_at":56},3288,"楷书基本笔画每日练-横竖撇捺入门方法与练习清单","Daily Practice of Basic Regular Script Strokes: Beginner Methods and Practice Checklist for Horizontal, Vertical, Left-Falling, and Right-Falling Strokes","This article focuses on the horizontal, vertical, left-falling, and right-falling strokes of regular script, outlining the essentials of starting, moving, and finishing each stroke. It also provides daily practice steps and a self-check list to help beginners write characters steadily and cleanly.","\u003Ch2>Start with Horizontal, Vertical, Left-Falling, and Right-Falling Strokes to Build a Solid Regular Script Foundation\u003C\u002Fh2>\u003Cp>When learning regular script, many people begin by copying complete characters and often overlook the strokes themselves. According to publicly available materials, the basic strokes of regular script usually include dot, horizontal, vertical, left-falling, right-falling, turning, raising, and hook. Among these, horizontal, vertical, left-falling, and right-falling strokes appear frequently and directly affect a character's balance and vitality. For beginners, instead of trying to cover too much too quickly, it is better to practice these four strokes separately. First steady your hand and make the lines clean, then gradually move on to structure.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Ftea_leaves.jpg\" alt=\"春茶新芽\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>春茶新芽\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Cp>This article focuses mainly on hard-pen regular script for beginners, while also considering everyday writing. The principles of hard-pen and brush strokes are related, but hard-pen writing emphasizes clarity and crispness more, and does not need deliberately exaggerated thick-and-thin changes. As long as the three actions of starting, moving, and finishing are clear, the forms of the characters will gradually become upright.\u003C\u002Fp>\u003Ch2>Horizontal: First Learn to Draw a Steady Line\u003C\u002Fh2>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Start with a light press:\u003C\u002Fstrong> After the pen tip touches the paper, make a very small pause so the stroke has a beginning point; do not simply slide straight across.\u003C\u002Fli>\u003Cli>\u003Cstrong>Move steadily:\u003C\u002Fstrong> When moving to the right, slow down and keep the pressure as even as possible. A horizontal stroke is usually not completely flat; it should rise slightly toward the upper right, giving it more vitality.\u003C\u002Fli>\u003Cli>\u003Cstrong>Finish cleanly:\u003C\u002Fstrong> At the end, pause lightly and lift the pen, avoiding rough edges or a sudden sharp flick.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Common Problems and Corrections\u003C\u002Fh3>\u003Cul>\u003Cli>Horizontal stroke becomes wavy: This is often caused by a trembling hand or writing too fast. Slow down and let the arm guide the pen, rather than moving it only with the fingers.\u003C\u002Fli>\u003Cli>Both ends of the horizontal stroke droop: Keep a slight upward momentum, and avoid writing it as an arc.\u003C\u002Fli>\u003Cli>Multiple horizontal strokes have no clear length difference: When writing characters such as 二, 三, and 王, distinguish the main horizontal stroke from secondary ones. The long horizontal should be extended, while the short ones should be restrained.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Vertical: Make the Character Stand Firm\u003C\u002Fh2>\u003Ch3>Two Common Vertical Strokes\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Hanging-needle vertical:\u003C\u002Fstrong> The end tapers gradually, like a hanging needle. It is often used for the final vertical stroke of a character.\u003C\u002Fli>\u003Cli>\u003Cstrong>Dewdrop vertical:\u003C\u002Fstrong> The end pauses lightly and is drawn back, like a hanging drop of dew. It is often used where a steady, contained ending is needed.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>Press lightly at the beginning to fix the position.\u003C\u002Fli>\u003Cli>When moving downward, keep the pen tip stable and the direction straight, without leaning left or right.\u003C\u002Fli>\u003Cli>For the hanging-needle vertical, gradually lift from heavy to light; for the dewdrop vertical, pause slightly at the end before finishing, and do not flick out carelessly.\u003C\u002Fli>\u003C\u002Ful>\u003Cp>If a vertical stroke is crooked, it is often because the wrist turns too much. You can first draw a faint straight line on the paper as a guide, then practice along the line repeatedly until your arm learns the feeling of moving straight downward.\u003C\u002Fp>\u003Ch2>Left-Falling Stroke: Write a Natural Curve\u003C\u002Fh2>\u003Cp>The left-falling stroke opens from the upper right toward the lower left. When written well, it makes the character look open and relaxed. Beginners often turn it into a straight stick, or lose control at the end so that it suddenly becomes too thin.\u003C\u002Fp>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Begin steadily:\u003C\u002Fstrong> Press lightly first, then move toward the lower left.\u003C\u002Fli>\u003Cli>\u003Cstrong>Keep a gentle curve in the middle:\u003C\u002Fstrong> The left-falling stroke is not a straight line; it should have a natural bend. The curve should not be too large, nor should the stroke become stiff.\u003C\u002Fli>\u003Cli>\u003Cstrong>Send the tip out at the end:\u003C\u002Fstrong> As you approach the tail, gradually reduce pressure so the pen tip leaves the paper naturally, forming a clean taper.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Practice Suggestions\u003C\u002Fh3>\u003Cul>\u003Cli>Practice short left-falling strokes first, then long ones; avoid chasing length at the beginning.\u003C\u002Fli>\u003Cli>Use characters such as 人, 八, 千, and 川 to feel the direction and curve of the left-falling stroke.\u003C\u002Fli>\u003Cli>When writing a left-falling stroke, keep the wrist relaxed and do not press hard all the way to the end.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Right-Falling Stroke: Open the Center of Gravity Steadily\u003C\u002Fh2>\u003Cp>The right-falling stroke is often paired with the left-falling stroke and determines whether the character's momentum is open. If it is not written well, the character can look cramped or unbalanced. The key is to open first and then control the ending; it should not become a simple diagonal line.\u003C\u002Fp>\u003Ch3>Key Techniques\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Enter lightly:\u003C\u002Fstrong> For a diagonal right-falling stroke, touch the paper lightly from the upper left toward the lower right, then gradually increase pressure.\u003C\u002Fli>\u003Cli>\u003Cstrong>Spread the tip or add pressure in the middle:\u003C\u002Fstrong> In hard-pen writing, you can show a change in thickness by applying moderate pressure, but do not exaggerate it.\u003C\u002Fli>\u003Cli>\u003Cstrong>Pause at the foot, then release horizontally:\u003C\u002Fstrong> When you reach the foot of the stroke, pause briefly, then slowly send the pen to the right or slightly upward, forming a stable ending.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Common Mistakes\u003C\u002Fh3>\u003Cul>\u003Cli>The stroke looks like a slide: It lacks change in the middle, making the line thin and weak.\u003C\u002Fli>\u003Cli>The foot is too heavy: Pressing too hard at the end makes it look clumsy.\u003C\u002Fli>\u003Cli>The stroke is too short: It does not match the left-falling stroke, so the character cannot open up.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Daily Practice Plan: A Four-Step Method for Horizontal, Vertical, Left-Falling, and Right-Falling Strokes\u003C\u002Fh2>\u003Ch3>Actionable Steps\u003C\u002Fh3>\u003Cul>\u003Cli>\u003Cstrong>Step 1: Warm up with lines.\u003C\u002Fstrong> First draw slow horizontal and vertical lines on paper. The focus is not on quantity, but on making the lines clean, steady, and unbroken.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 2: Repeat single strokes.\u003C\u002Fstrong> Practice horizontal, vertical, left-falling, and right-falling strokes in order. For each stroke, first observe the beginning, movement, and finish, then write it.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 3: Use simple characters.\u003C\u002Fstrong> Choose simple characters to consolidate the strokes. For horizontal strokes, practice 一, 二, and 三; for vertical strokes, practice 十, 中, and 木; for left-falling strokes, practice 人, 八, and 千; for right-falling strokes, practice 大, 人, and 文.\u003C\u002Fli>\u003Cli>\u003Cstrong>Step 4: Compare and correct.\u003C\u002Fstrong> After each set, choose the least satisfying stroke, mark the problem, and in the next set correct only one problem at a time.\u003C\u002Fli>\u003C\u002Ful>\u003Ch3>Daily Practice Checklist\u003C\u002Fh3>\u003Cul>\u003Cli>Did I observe first before writing, instead of writing casually?\u003C\u002Fli>\u003Cli>Are horizontal strokes steady, without obvious trembling or drooping?\u003C\u002Fli>\u003Cli>Are vertical strokes upright, with clean endings?\u003C\u002Fli>\u003Cli>Do left-falling strokes have a natural curve and a light, clean taper?\u003C\u002Fli>\u003Cli>Do right-falling strokes have a clear beginning and ending, with a steady foot?\u003C\u002Fli>\u003Cli>Did I correct only one main problem, instead of trying to fix too many?\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Practical Advice for Beginners\u003C\u002Fh2>\u003Cul>\u003Cli>\u003Cstrong>Slow before fast:\u003C\u002Fstrong> Regular script is not produced by speed. First make the movements clear, then work on fluency.\u003C\u002Fli>\u003Cli>\u003Cstrong>Accurate before beautiful:\u003C\u002Fstrong> First aim for correct position and direction, then pursue line quality.\u003C\u002Fli>\u003Cli>\u003Cstrong>Few but precise:\u003C\u002Fstrong> Writing a small number of strokes carefully each day is more effective than mechanically filling a page.\u003C\u002Fli>\u003Cli>\u003Cstrong>Use guides:\u003C\u002Fstrong> You can use grid lines, straight lines, or copybooks to help observation, but do not merely trace the outer shape; understand the movement of the strokes.\u003C\u002Fli>\u003Cli>\u003Cstrong>Keep samples:\u003C\u002Fstrong> Regularly save your practice sheets so you can compare progress and notice recurring problems.\u003C\u002Fli>\u003C\u002Ful>\u003Ch2>Conclusion\u003C\u002Fh2>\u003Cp>Horizontal, vertical, left-falling, and right-falling strokes seem simple, but they are the foundation of regular script aesthetics. When the horizontal is steady, the character is settled; when the vertical is upright, the character stands; when the left-falling stroke opens, the character becomes lively; when the right-falling stroke is controlled, the character is complete. Setting aside a fixed period each day, practicing step by step, and checking yourself promptly will bring more visible change than copying copybooks blindly. Once the basic strokes are clean, structure and composition will have something to rely on.\u003C\u002Fp>\n\u003Csection class=\"portal-sources\" style=\"margin-top:2em;font-size:14px;line-height:1.7;color:#5c5850;\">\u003Cp style=\"margin:0 0 0.5em;font-weight:600;\">References\u003C\u002Fp>\u003Cul style=\"margin:0;padding-left:1.25em;\">\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fzhuanlan.zhihu.com\u002Fp\u002F88987448\" rel=\"noopener noreferrer\" target=\"_blank\">硬笔楷书基本笔画（一） | 动图 X 图解 - 知乎\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.meipian.cn\u002F52r5rj94\" rel=\"noopener noreferrer\" target=\"_blank\">楷书基本笔画的写法，超高清完整版图解！\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fwww.iqiyi.com\u002Fa_19rrhs5crx.html\" rel=\"noopener noreferrer\" target=\"_blank\">《硬笔书法楷书基本笔画视频教程28集全》知识完整版-高清 ...\u003C\u002Fa>\u003C\u002Fli>\u003Cli style=\"margin:0.25em 0;\">\u003Ca href=\"https:\u002F\u002Fshufazitie.net\u002Fjiaocheng\u002Fyingbi-bihua-xiangjie.html\" rel=\"noopener noreferrer\" target=\"_blank\">硬笔楷书基本笔画详解：八大笔画写法要领 | 书法字帖\u003C\u002Fa>\u003C\u002Fli>\u003C\u002Ful>\u003C\u002Fsection>\n\u003Csection class=\"portal-disclaimer\" data-portal-disclaimer=\"1\" style=\"margin-top:2.5em;padding-top:1.25em;border-top:1px solid #e8e4dc;font-size:14px;line-height:1.7;color:#7a756c;\">\u003Cp style=\"margin:0;\">Disclaimer: This article is compiled from publicly available online sources for educational purposes only and does not represent the official position of Guanshan Academy. If you believe your rights have been infringed, please contact us for removal.\u003C\u002Fp>\u003Cp style=\"margin:0.75em 0 0;\">Contact: \u003Ca href=\"mailto:chenxj.g@gmail.com\">chenxj.g@gmail.com\u003C\u002Fa>\u003C\u002Fp>\u003C\u002Fsection>","https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Ftea_leaves.jpg","2026-09-29T20:29:08.168983+08:00","2026-09-29T20:34:16.707223+08:00","2026-09-30T16:34:32.241256+08:00",{"id":58,"locale":12,"slug":59,"type":14,"title":60,"summary":61,"content_html":62,"video_url":18,"cover_url":19,"author":20,"category":21,"status":22,"published_at":63,"created_at":64,"updated_at":65},12,"copying-lanting-calligraphy","Copying the Lanting Xu: Brushwork and Inner Practice","Starting with Lanting Xu rubbings — centered strokes and mindful copying.","\u003Cp>Copying classics is not only tracing shapes; it is \u003Cstrong>borrowing an ancient brush-mind to settle your own\u003C\u002Fstrong>. Begin with single characters from the Lanting Xu — fifty a day, steady and complete.\u003C\u002Fp>\n\u003Cfigure class=\"portal-article-figure\">\u003Cimg src=\"https:\u002F\u002Fguanshanshuyuan.cn\u002Fimages\u002Farticles\u002Fcalligraphy_ink.jpg\" alt=\"笔墨见心\" loading=\"lazy\" decoding=\"async\" \u002F>\u003Cfigcaption>笔墨见心\u003C\u002Ffigcaption>\u003C\u002Ffigure>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\u003Cp>Watch for centered strokes, lift-and-press transitions, and a clean desk. Sit quietly before the first stroke; the line will tell you whether the mind is restless.\u003C\u002Fp>\n\u003Cp>Our calligraphy column will share copying notes and short essays on brush culture.\u003C\u002Fp>","2026-09-25T20:02:54.792954+08:00","2026-09-28T20:02:54.809092+08:00","2026-09-30T16:34:32.29826+08:00",["Island",67],{"key":68,"result":69},"PostCard_UjtTgS8BXnMzUlAO8Z7E5FEU6V0ZP02nl83DxyLc",{"head":70},{"link":71,"style":72},[],[],["Island",74],{"key":75,"result":76},"PostCard_aWsi22PZNAy1Cv5uK7GFk7fEDVcizOB8T1jHjI3nOc",{"head":77},{"link":78,"style":79},[],[],1790758704745]